By Jon Gindick
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Additional info for Rock N' Blues Harmonica: A Beginner's Guide to Jamming
He forced himself to eliminate any trace of conflict visible on the canvas. One can sometimes see brush strokes, but one has no idea how many times they were erased and recommenced. His reputation is based mainly on the portraits and the Nocturnes, which he produced in the years 1860-1870. Using very liquid paint, he created a wash of color consisting of decisive paint strokes. The contemplation of a Nocturne or a portrait by Whistler requires one to “immerse” oneself in the painting. The subtleties will only become apparent to the spectator after attentive and prolonged contemplation.
In these paintings, the dominant color is blue, so the artist painted on a red ground or used a piece of mahogany. The blues placed over the red thus gained in intensity. In other paintings the background is coated with a warm black, especially those featuring fireworks. The canvas was first coated with a lead deposit. When the sky is gray and the night is dark, he used a gray canvas (only once did he paint a Nocturne on a white background). This prior choice of medium made it possible for him not to have to overload the canvas at a later stage.
Tate Gallery, London. 54 Obsessed by the need to destroy these failures, Whistler even hated looking at some of his work. ” Toward the end of his life, he would bring to London the whole contents of his studio in Paris and would methodically burn the drawings and paintings which did not completely satisfy him. Sometimes he could not face the pain of such destruction. Sickert recounts a poignant moment on the way to dinner at the end of a day’s painting. As they walked down the street, Whistler suddenly halted.