By Ronald T. Sion
Aldous Huxley, writer of 11 novels, continues to be one of many towering figures of the 20 th century, his paintings immune to passing fads in literature. This serious biography explores Huxley's life-long quest for self-actualization by means of interfacing the occasions of his lifestyles with information of the inventive interval that produced every one ebook. The textual content weaves Huxley's letters, essays and interviews with the thematic content material of every novel, delivering a special check out the man's lifestyles and paintings. of extreme value is the depiction of anyone striving for the highbrow progress that may yield a valid philosophical and non secular view of lifestyles, one he infused into his paintings.
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Additional resources for Aldous Huxley and the Search for Meaning: A Study of the Eleven Novels
Then again there is the debate between Mary and Scogan. The latter sees sex as a laughing matter but Mary — with her repressions— sees it as a serious affair. Scogan explains that in sex one may ﬁnd laughter and pleasure that surmounts the pain and misery of life. Shortly thereafter, following moments of silence, Ivor leaps into the room and Scogan solicits his response to the question: Is amour serious? Ivor answers that it is, to which Mary speaks of her triumph on the issue, but her glee is only momentary.
While giving up her repressions had not provided the peace she sought, she realizes that she could never do without Ivor, but he certainly could do without her. Despite Mary’s tale exposing Ivor’s crassness, the reader cannot help but be amused. This was the same woman who was aggressively seeking intimacy for its own sake, yet was now equating her one-night stand with Ivor as love. She had even sought Anne’s advice in determining whom she should choose as a sexual partner to relieve her repressions— a word that Anne initially mistakes for depressions.
Lady Ottoline was very upset by what she saw as an unfair and reprehensible depiction of her Garsington Manor; Philip Morrell reacted negatively to Huxley’s depiction of him as Henry Wimbush; and Bertrand Russell likewise as Mr. Scogan. 24 Huxley argued that these were not meant as realistic portrayals, but comical and absurd representations in a work of literature. The Morrells, however, remained insulted, and Aldous and Maria were genuinely upset over their reaction. Crome Yellow was a success critically and sold quite well, providing Huxley and his family for the ﬁrst time with a decent living and the luxury of precious time to devote exclusively to writing.