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By Alexandre Marc

African creative expression has helped to build tradition, shape social identification, and aid religious communique. the alternative of the realm Bank's African assortment for a list stems from the popularity through many paintings specialists that the financial institution is domestic to a wealthy and necessary assortment that merits to be higher recognized by way of employees, representatives from member international locations, and the general public at huge. The ebook screens African paintings from prior to offer, African artwork on the global financial institution, and African artwork and society.

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140). This collection contains many examples of the basic material that is so essential to the African sense of identity but that also qualifies as world art by its enormous influence on all twentieth century art. We must be aware that these objects, as in all collections, whether in developmental institutions or museums, have been decontextualized. They were created by artists who shared a code with the users or viewers of that object, whether in ritual, such as the kindombolo masks of Congo (cat.

C. D. in what is now Nigeria; the Djenne terracotta masterpieces, made between the eleventh and the fifteenth century in today's Mali, represented in this catalog by the lovely pedestal bowl (cat. 1). , we know that the Igbo people had a complete mastery of metalworking and a great sense of beauty. In Ile-Ife, the sacred city of the Yoruba people, which flourished between the eleventh and the fifteenth centuries, we find art whose serenity and reality was so impressive that the German ethnologist, Leo Frobenius, believed that the city was at one time colonized by the Greeks.

The African artist had this freedom to interpret the human body or object as he wished, a freedom that his European counterpart lacked. Yet, for most Europeans, the nonrepresentational nature of African sculpture was seen as primitive. Consequently, African art was placed at the lowest rung of artistic development, while Western art occupied its pinnacle. Page 11 Nonetheless, despite its given low status, it was this same strange primitive art that captured the imagination of European artists at the beginning of this century.

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